Here’s a new confinement video in duo with the amazing Xavier Druot:
Hello everyone! I hope you’re making it through these strange days safely and that you manage to get something positive out of this experience. I got together with 14 confined friends around the world and did this video. They are all wonderfully talented people and beautiful souls, it was great to connect with them despite our separation. We hope it will get you in a good mood!
If anyone is curious about where I’m coming from, please check out this beautiful documentary by Janus Køster-Rasmussen about my home town and the music education that a few legendary pioneers started there in the 1970s.
I feel strongly about this story, to the point that I spent the time doing the english subtitles myself to be able to share it with people outside of Denmark.
It’s important to me, because it’s a big part of my own story. I would never have become a musician without the people in this film.
I also think it’s important because it carries some important lessons about approaching music in a collective way that makes it better and more fun for everyone.
But most importantly, because it contains some essential truths about the central place music has in human existence and why it’s important to nurture it through education.
Like Astrid Elbek says in the film, it’s a basic ingredient for a meaningful life on a personal level, and for a meaningful society on a larger level.
If you’re in Paris on Wednesday October 16th, come around to La Cigale, it’s the MaMa festival, and we’re having a party ( https://www.facebook.com/events/la-cigale/think-zik-party-mama-festival/506102053456701/ ) with all the artists from the Think Zik! label – Imany, Faada Freddy, Paper Plane, Anwar, Yaya Minté and Ah The Unclear. 4 hours of music, and I have the honor of MD’ing the house band. I’ve also spent a good deal of the year working with the label on an upcoming acoustic, intimate record featuring all these artists, as well as some invited friends, incredible vocal talent, can’t wait for it to come out!
The Mylene Farmer concert movie that was filmed during the shows we did in June at the Paris La Défense Arena will be in 500 cinemas around France for one unique showing on November 7th at 20h. Check out the just released movie teaser/music video:
Also coming soon to cinema screens very soon on October 19th is the concert we did last month the the Cirque d’Hiver with the wildly talented, 13 year old Erza Muqoli and Vianney. Her debut record that I also had the privilege of playing on is out on October 25th.
The record I worked on a lot this spring/summer with Christophe Maé is coming out on October 25th, first single is out and is doing well on the radio. I’ll also be joining Christophe for some live shows, stay tuned!
Out this week is the beautiful movie “J’irai ou tu Iras” by Geraldine Nakkache. Camille did the soundtrack and I got to play piano on it!
In other news, I’m busy working this fall as a producer for Benabar’s next record for Sony with master A&R and beautiful friend Bertrand Lamblot. We have a great repertoire, and half of the record is done already, I think it will be a powerful collection of songs showing how much depth and range Benabar has gained over the years. It should be out in the early Spring if all goes well.
Also coming up with Bertrand and our wonderful studio band The Moonlight Shadows (Raphael Chassin, Laurent Vernerey, Thomas Coeuriot and your truly) is the record we did in the Spring for French legend Renaud, the album is called “Les mômes et les enfants d’abord” and will be out in November. Watch out!
Last show tonight with Mylene Farmer at the Paris La Défense Arena. This has been one intense and fun ride! 15 days of music and dance rehearsal, 12 days of production rehearsal, 130 people crew, 9 shows, 240.000 people in the audience, 16 dancers, 190 tons of equipment hanging from the ceiling, 1800 people to build the stage. The numbers are unbelievable!
I will have many fond memories of this time, but the most powerful thing I take away from the experience is the friendship that has developed within the band. My fellow band members Charlie Paxson, Sébastian Chouard, Joel Shearer, Vincent Bidal and Jonathan Noyce are as talented, professional and experienced as they are warm-hearted, funny, open-minded and completely crazy. Love them all! Enormous gratitude to the one and only Olivier Schulteis for bringing us together and doing such a fantastic job of preparing the arrangements and being the calm, efficient and all around lovely band leader that he always is.
The enormous crew is a collection of the best and nicest talent in France, and it was just remarkable that we made it through the entire run without any tension, conflicts, ego problems or unnecessary shows of authority despite the millions of euros at stake. Everybody worked perfectly together from beginning to end across the board – carpenters, riggers, blockers, catering, production, lighting, backline, music, security, stage management, design, etc etc.
Usually the vibe of a production directly reflects the mentality of the protagonists, and the fact that everything went so smoothly is a great testimony to the humanity and vision of the people that were at the center of the storm – Thierry Suc, Laurent Boutonnat and of course the one person the whole thing revolves around: Mylene Farmer. It’s awe-inspiring what they have built together over all these years, and I’m proud to have been a small part of it this year!
A great thanks and shoutout to Olivier Blanchard and Clavia for their support over the years, and for the Nord Stage 3s they provided for the show. The absolute reliability, the ease of the use necessary to deliver results quickly and most importantly the quality of the sounds are all at the highest level, and I couldn’t imagine doing this kind of show with any other keyboard.
The Alain Chamfort song that I arranged last year won the “Chanson de l’année” award from the UNAC. It’s on the album “Le Désordre des Choses” that I produced with Alain, which was also nominated in the “Album de chansons” category at the Victoires de la Musique 2019, and for a Globe De Cristal. Champagne for everyone!
I had a great time for a month at the Theatre du Rond Point with Alfredo Arias’ play “Madame Pink”. A pink poodle, the legendary Mark Plati composing, playing and band-leading, a wonderful international cast (Naples, Rome, Paris, Sicily, New York), giant teeth-shaped doors, the fantastic Giuseppe Burgarella on piano, off-the-hook costumes, my old friend Maxime Garoute in the band, and of course everything performed in Italian, but taking place in Miami.