If you’re in Paris on Wednesday October 16th, come around to La Cigale, it’s the MaMa festival, and we’re having a party ( https://www.facebook.com/events/la-cigale/think-zik-party-mama-festival/506102053456701/ ) with all the artists from the Think Zik! label – Imany, Faada Freddy, Paper Plane, Anwar, Yaya Minté and Ah The Unclear. 4 hours of music, and I have the honor of MD’ing the house band. I’ve also spent a good deal of the year working with the label on an upcoming acoustic, intimate record featuring all these artists, as well as some invited friends, incredible vocal talent, can’t wait for it to come out!
The Mylene Farmer concert movie that was filmed during the shows we did in June at the Paris La Défense Arena will be in 500 cinemas around France for one unique showing on November 7th at 20h. Check out the just released movie teaser/music video:
Also coming soon to cinema screens very soon on October 19th is the concert we did last month the the Cirque d’Hiver with the wildly talented, 13 year old Erza Muqoli and Vianney. Her debut record that I also had the privilege of playing on is out on October 25th.
The record I worked on a lot this spring/summer with Christophe Maé is coming out on October 25th, first single is out and is doing well on the radio. I’ll also be joining Christophe for some live shows, stay tuned!
Out this week is the beautiful movie “J’irai ou tu Iras” by Geraldine Nakkache. Camille did the soundtrack and I got to play piano on it!
In other news, I’m busy working this fall as a producer for Benabar’s next record for Sony with master A&R and beautiful friend Bertrand Lamblot. We have a great repertoire, and half of the record is done already, I think it will be a powerful collection of songs showing how much depth and range Benabar has gained over the years. It should be out in the early Spring if all goes well.
Also coming up with Bertrand and our wonderful studio band The Moonlight Shadows (Raphael Chassin, Laurent Vernerey, Thomas Coeuriot and your truly) is the record we did in the Spring for French legend Renaud, the album is called “Les mômes et les enfants d’abord” and will be out in November. Watch out!
Last show tonight with Mylene Farmer at the Paris La Défense Arena. This has been one intense and fun ride! 15 days of music and dance rehearsal, 12 days of production rehearsal, 130 people crew, 9 shows, 240.000 people in the audience, 16 dancers, 190 tons of equipment hanging from the ceiling, 1800 people to build the stage. The numbers are unbelievable!
I will have many fond memories of this time, but the most powerful thing I take away from the experience is the friendship that has developed within the band. My fellow band members Charlie Paxson, Sébastian Chouard, Joel Shearer, Vincent Bidal and Jonathan Noyce are as talented, professional and experienced as they are warm-hearted, funny, open-minded and completely crazy. Love them all! Enormous gratitude to the one and only Olivier Schulteis for bringing us together and doing such a fantastic job of preparing the arrangements and being the calm, efficient and all around lovely band leader that he always is.
The enormous crew is a collection of the best and nicest talent in France, and it was just remarkable that we made it through the entire run without any tension, conflicts, ego problems or unnecessary shows of authority despite the millions of euros at stake. Everybody worked perfectly together from beginning to end across the board – carpenters, riggers, blockers, catering, production, lighting, backline, music, security, stage management, design, etc etc.
Usually the vibe of a production directly reflects the mentality of the protagonists, and the fact that everything went so smoothly is a great testimony to the humanity and vision of the people that were at the center of the storm – Thierry Suc, Laurent Boutonnat and of course the one person the whole thing revolves around: Mylene Farmer. It’s awe-inspiring what they have built together over all these years, and I’m proud to have been a small part of it this year!
A great thanks and shoutout to Olivier Blanchard and Clavia for their support over the years, and for the Nord Stage 3s they provided for the show. The absolute reliability, the ease of the use necessary to deliver results quickly and most importantly the quality of the sounds are all at the highest level, and I couldn’t imagine doing this kind of show with any other keyboard.
The Alain Chamfort song that I arranged last year won the “Chanson de l’année” award from the UNAC. It’s on the album “Le Désordre des Choses” that I produced with Alain, which was also nominated in the “Album de chansons” category at the Victoires de la Musique 2019, and for a Globe De Cristal. Champagne for everyone!
I had a great time for a month at the Theatre du Rond Point with Alfredo Arias’ play “Madame Pink”. A pink poodle, the legendary Mark Plati composing, playing and band-leading, a wonderful international cast (Naples, Rome, Paris, Sicily, New York), giant teeth-shaped doors, the fantastic Giuseppe Burgarella on piano, off-the-hook costumes, my old friend Maxime Garoute in the band, and of course everything performed in Italian, but taking place in Miami.
When people ask me why there is such a disproportionately large amount of musicians coming from my fairly small Danish hometown Aarhus, I have a simple answer: “Leif Falk”. He was the one who revolutionized music teaching in the ‘60s as a young man passionate about New Orleans, Cuba, jazz and all sorts of rhythmic music, he created the institutions, opportunities and frameworks and he installed a feeling of joy, sharing, love of music, interaction, confidence and credibility in several generations of kids from Aarhus, many of whom ended up doing music for a living. Anybody had the right to play music in his world. I didn’t have much direct contact with him, but have felt the ripples of his revolutionary work and Herculean, 50-year long effort in so many ways. He went over to the other side this week along with his loving partner in all of these endeavors, Ivalo. They will be missed! They changed so many lives for the better, including mine!
This spring, Tété asked me to produce his next record with him. After having worked with him on his two previous records as a session musician, it was great to be more involved this time around. I’m first and foremost a great fan of Tété – he’s an incredible singer and writer, and he’s one of the few who has cracked the code of making the French language swing.
The record will be out in February and is called “Fauthentique”. The lyrics evolve around the concept of authenticity or the lack thereof in our age of fake news and digital manipulation of just about anything. The first single is “King Simili”, check it out!
Happy and proud to be joining Benjamin Biolay and Melvil Poupaud for their SONGBOOK tour. We already played a few shows this summer, and the concert is a great journey into the deeper ends of Biolay’s repertoire, as well as songs that have influenced both these handsome gentlemen. It’s an intense acoustic run until the spring, you can check out the dates here.
It’s great to be playing with Benjamin Biolay again. Time has flown since I toured with him in 2007, and he’s become a bonafide star in France in the meantime. His stage presence and musicality were already very strong back then, but he’s even more charismatic these days – playing, singing, writing and performing better than ever.
I didn’t know Melvil before this tour, but he’s as charming, educated, talented and dedicated as you would expect from someone with as rich and consistently good a career.
We did some studio preproduction to prepare the tour, which Benjamin elegantly turned into a limited edition album that was recently released! No CDs for this one, only vinyl or streaming, click here: SONGBOOK
Hope to see you on the road!